We tend to think science fiction magazines started when Hugo Gernsback introduced the concept of "scientificion." But for the quarter-century leading up to the Russian Revolution, the Russians were massive consumers of "scientific fantasy," and they had a popular magazine called Nature and People, full of science-fictional speculations.
Cornell University Professor Anindita Banerjee uncovers the secret history of early Russian science fiction, and how SF tied in with Russians' obsessions with modernity, in her new book We Modern People: Science Fiction and the Making of... We're lucky enough to feature this exclusive excerpt, dealing with the founding of Nature and People and early writers such as Konstantin Tsiolkovsky and Yevgeny Zamyatin.
Top image: postage stamp showing Konstantin Tsiolkovsky, via Shutterstock.com
Introduction: Science Fiction and the Making of Russian Modernity
Science and technology are defining modern reality by transforming not just everyday life, but the very ways in which we think and imagine. A new kind of writing callednauchnaiafantastika, scientific fantasy, is playing a not inconsequential role in this process. Is it not in the imagination where bold theories and amazing machines are first born? Along with news of the latest scientific and technological developments, therefore, our magazine will continue to present a rich panorama of meditations on their potentials that will seem anything but fantastic to those of our times.
Opening the fifth-anniversary issue of Nature and People (Priroda i liudi) in 1894, this editorial note redefines the narrative parameters of a pioneering popular science journal in Russia.
Three decades later in 1923, Yevgeny Zamyatin — author of the landmark dystopian novel We(My), which George Orwell acknowledged as an inspiration for 1984 — designated nauchnaiafantastika, or scientific fantasy, "the kind of literature that best commands the attention and wins the belief of us modern people." Consequently, he proposed it as the foundational template for a "New Russian Prose" of the twentieth century.























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